Page 45 Review by Jonathan
But how could we have gotten here? Even travelling at the speed of light it would take us years and years.
Oh, we don't travel at the speed of anything. We tesser. Or as you might say, we wrinkle.
Nice to be completely unfamiliar with the original material for a comics adaptation for a rare change, as I don't recall even hearing about the prose version of this as a kid, which is a little surprising given how much sci-fi and fantasy I read in my childhood days. The story itself actually reminded me of Philip Pulman's more recent Dark Materials Trilogy (for several reasons, and I would be very surprised if he hasn't read this work) plus also the works of C.S. Lewis given some of the Christian references and allusion to the real identities of certain characters, but also children's books like the Captain Cobweb series and Milo and The Phantom Toolbooth for their vast sense of surreal adventure.
Originally written in 1962 and rejected by about fifty publishers before someone picked it up, primarily because they felt the time wasn't right to have a female lead character in a science fiction work (really) the central plot revolves around feisty young Meg Murray and her search for her missing father, who apparently vanished whilst researching something mysterious for the government. That mysterious something turns out to be instantaneous travel across space by means of bending space-time using the tesseract principle, or 'tessering' for short.
Unfortunately for Meg's father it seems that there is a dark force abroad in the Universe, seeking to enslave whole planets at a time, and during an early explorative tesser he has been captured. How, precisely, has Meg found out this extremely top secret information, given the government haven't been willing to tell them anything for months? Well, by means of her super-intelligent younger brother Charles equally mysterious friends, Mrs Whatsit, Mrs Who, and Mrs Which who, initially at least, appear to be witches, but in fact may be rather more than that. Fortunately for Meg and her brother, the three W's also have the power to 'tesser' them and thus launch an expedition to find and rescue their father.
Okay, that's probably enough of a synopsis to give you the general idea of what to expect plot-wise, so let's talk about the adaptation itself, because that is for me the highlight here. This is an exceptionally beautifully illustrated book which is, I feel, Hope's finest work to date. I get the impression from the art that this was certainly no chore, but probably rather a labour of love, such is the consistency and fluidity of the illustration. CHIGGERS and MERCURY are absolutely wonderful works in their own rights, but in terms of the art A WRINKLE IN TIME has that little something extra, the sense of touch that someone who had already fully realised and harnessed their exceptional talents has, however improbably, been inspired to surge one step further. I found an almost seamless sense of continuity from panel to panel, page to page, the whole work moving onwards with an almost animation-like quality in my mind's eye. In other words, near perfection.
There were in fact several pages where I almost unconsciously slowed down my reading pace to better take in all the exquisite background details, which always gently embellish the scene, adding real depth and warmth. And without question Hope has completely succeeded in capturing every nuance of the emotional wringer that Meg is put through on her quest, and indeed her whole family at the anguish they feel over the continued absence of Mr. Murray. Just flicking back through looking at the art (again!) you could easily get a complete sense of the story without even needing to read the speech bubbles, just from observing the myriad expressions on the various character's faces, particularly that of Meg and her brother Charles who go on such an emotional rollercoaster of highs and lows during the course of their travels!
Definitely one for fans of Hope, absolutely one for children who love action-packed adventures, but also a great all-ages read in the vein of AMULET and MOUSE GUARD as adults will also be captivated by the surreal world that Madeleine L'Engle has created and which Hope brings so vividly to life to furnish us with a genuine magical mystery tour.