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Hannah Berry

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Page 45 Review by Stephen

Now with an Exclusive Signed Page 45 21st Birthday Bookplate!

"Right, then. Let's go and talk to the driver. Staying here is frankly more tedious than I'm prepared to tolerate. And I've been to Basingstoke."

They're not going to find a driver.

Two years ago a man called Rodney Moon was acquitted of abducting strangers. At the trial, however, he admitted to the judge and jury that he had passed on notes to each and every one of them: cold, clinical letters that were found in their stead, detailing moments of misjudgement. He claimed they were given to him by the real kidnapper - a monster, he said - but no one believed him. Certainly not the victims' families, or their friends, or the newspapers.

Still, he got off. Though no one is quite sure what happened next.

Now four passengers who took the last train home are stranded in their carriage in the middle of the night. The train hasn't moved for two hours. Presumably there are leaves on the line. Their cell phones are dead and the intercom is just a fuzz of static punctuated by brief bursts of strangely familiar words. Outside all is black, though there may have been a man outside…

Hannah Berry is back and on rollicking form. The painted art with its pallid palette save for one rich red jacket is perfect for this eerie echo of a book. The panels are framed in an endless inky black for the present and stark white for the past. The huge noses put me in mind of Beryl Cook.

There are some absolutely cracking exchanges, but the creator of the singularly British BRITTEN AND BRULIGHTLY is far from having a laugh. This is a chilling read, as disorientating at first as it is for the four seeming strangers; but their secrets do give themselves up, eventually.

Ridiculously clever once the connections are made, you'll want it read it once, twice, thrice like I did, and then possibly never again. It really is that disturbing. Just leave a little note in its place, but don't ever take the last train home.

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