Page 45 Review by Jonathan
"Order a weird art-house comic, get a weird art-house comic."
- Page 45 customer.
It is hard to disagree with that sentiment. Particularly meant in the positive sense, as it was. But then buy something from Koyama Press, and, well, there's a pretty good chance you're going to get something that will test your artistic sensibilities, and possibly even your sanity, like recent work CRAWL SPACE by Jesse Jacobs did. It's a graphic novel that we seriously considered making a Page 45 Comicbook Of The Month but we just couldn't get hold of enough copies.
This is actually weirder than that - which is saying something, trust me. But then this material was actually drawn on tracing paper for starters, something which Koyama Press have done their darndest to recreate in terms of paper stock, at probably not inconsiderable cost to themselves. Apparently the creator Connor Willumsen wanted to see what his creation looked like from both sides, which is very artistically diplomatic of him.
You can see where he has used what I assume is tippex for colouring or speech bubbles on the panels that are of a darker hued background. There's a sequence that particularly stuck with me of a skunk and a man in a puffer jacket covered in capital Rs ascending some sort of stepped Mayan pyramid to arrive at what looks like a drawing table with a mysterious box just waiting there. Which is in fact a dream sequence that occurs during a trance induced in a cinema foyer... Which...
So what's it really all about? Well, I'm actually going to cheat and quote the first paragraph from Koyama Press' own blurb because I'm not sure I can describe something so resolutely abstruse and recondite as well as they do. And because there's only actually about another three of you who will be remotely interested in buying this, as brilliant as it is, and Page 45's impending refit is fast approaching. Time, as they say in the Twilight Zone, is a one-way street.
"Reality's grip is loosened as Spyda and Lynxa explore a potentially constructed environment that shifts between dystopic future and constructed virtual present. Like a form of multistable perceptual phenomena, Anti-Gone exists in ambiguity."
Okay, I probably should at least try. It's a wee bit like some of Dash Shaw's more out there material such as THE UNCLOTHED MAN IN THE 35TH CENTURY A.D. but not as finely polished, though that's entirely because Connor Willumsen is doing his own thing exactly as he's intended. However, it's assuredly artistically worthy in its own right and absolutely deserving of attention. It's big, bold ambitious comics, which I love, and if I think you like a bit of weird yourself don't be surprised if I make you try to buy it the next time you're passing the till...
I'll leave you with a random line from one of his characters that sums Connor's approach up perfectly...
"God damn, where did you get your style?"