Page 45 Review by Stephen
Three books in one, this reprints the first two softcovers of the 2010 series and AVENGERS PRIME.
Basically, everything that immediately follows SIEGE.
Avengers Vol 1:
Not so much a temporal anomaly as a temporal catastrophe.
Far in the future the Avengers have had children but the world they have inhabited has been devastated first by Hank Pym's Ultron (an artificial intelligence housed in nigh-impenetrable metal with an Oedipal Complex like you wouldn't believe) and then by a war between Ultron and Kang. As always Kang The Conqueror lost (obviously: it's there in his name) but being a time traveler and a really, really sore loser he simply presses the temporal reset, travels back in time and tries again bringing increasingly vast armies with him. Over and over again. But the thing is, everything has an expiry date: carpets wear thin and metal fatigues. And eventually, groaning at the strain of Kang's relentless, bludgeoning misuse, time
That's what lies at the heart of this devious time-traveling tale with ominous foreshadowing for the life, times and in particular the inventions of Iron Man, the fate of Bucky Barnes and a whole spread of imminent developments if you care to analyze the bizarrely child-like scrawl on the wall as drawn by a future counterpart of one of the Avengers who has already witnessed what Bendis and others have in store for the Marvel Universe.
But it all kicks off on the first day of this central team's reformation high in Avengers Tower, and it's a semi-classic line-up as dictated by Commander Steve Rogers and potential sales figures: Thor, Iron Man, Bucky as Captain America, Hawkeye as Hawkeye (at last), Spider-Man, Spider-Woman, Wolverine and Kree warrior Nor-Varr all led by ex-S.H.I.E.L.D. director Maria Hill. Not the brightest day, you'd have thought, for Kang to show his purple puss, but he has an ace up his sleeve as conceived by Tony Stark.
"But I haven't even built that yet."
"But you will."
He did. He went and built a doomsday device and now it belongs to Kang. The how and the why will fall into place later on for Kang is not there to conquer (quite fortunate given his 60-year score card) but to ask for their help. Funny how he doesn't mention the time fracture.
As I say, this is far more devious that it first appears because there are a whole heap of surprises awaiting them in the eye of the temporal storm: strange alliances whose members aren't necessarily being straight with each other let alone our assembled Avengers. But then one Avenger doesn't necessarily end up being straight with the others. Habit of a life-time, really.
Art on a scale of huge from John Romita Jr. as befits a title whose very nature is dealing with the big stuff. That's what this central book is: the big stuff. Here we have Ultron, Kang, time-travel and Apocalypse whose name I have mentioned just to boost sales. Next we have the Infinity Gems, the Illuminati and a cast of 5,312. Are Tony and Steve going to fall out again?! *
Lastly, there's one other ex-Avenger Steve Rogers wanted for the team but he's refused point-blank. In fact he seems determined to do everything he can to thwart the reformation. Do you sense a sub-plot? **
Avengers vol 2:
"I know when someone knows how to fight. This guy didn't know hand-to-hand combat. He had power but no moves. A guy with a nice car and no license to drive."
And that's the very last sort of person you want loose on the roads.
The Infinity Gauntlet: a glove composed of Power Gems affecting space, time and reality, too powerful to be in the possession of any one woman or man. Thanks to Thanos they almost brought about the destruction of the whole wide wibbliverse. Some years ago, therefore, the clandestine Illuminati composed of Iron Man, Dr. Strange, Professor Xavier, Namor, Black Bolt and Reed Richards secretly split the gems up then hid them. One has just been found, it's the most lethal of the lot, and it will make pilfering the others far easier.
It's a massive cast for an epic battle including the Red Hulk here written somewhat differently. As in, written well with both rhyme and reason, while Romita excels at such titanic action and big, brutal forms.
Most importantly, however, after Iron Man promised to be on his best behaviour to Steve Rogers with no more secrets, his role in the Illuminati and its clandestine history comes out of a closet so capacious you could fit half the last century's light entertainment stars in it.
There will be ructions, but also two very clever final pages.
Steve Rogers and Tony Stark:
"There's got to be another horse running around here somewhere."
"Hop on! Let's go."
"Any excuse to get me to hold you."
"You see right through me."
"Don't know exactly. I'm following the lightning."
Not a single tower of the once mighty Asgard is standing. Amongst the stone ruins there are fires ablaze as the timbers and fine linen of the more opulent halls crackle and spit out flaming-hot cinders, and the night sky is clouded with smoke. Steve Rogers in combats and a black, polar-necked sweatshirt comes straight to the point:
"Thor, tell us what you need and you will have it."
"Just seeing it like this... my Father's kingdom in complete ruin."
"Hey, anything can be rebuilt. Anything. Every time I've had to rebuild this armour, I've always made it better every time. Wait till you see my new stuff."
Good old Tony look-at-me Stark: Mr. Sensitive 2010. No wonder Steve is pissed off.
"We'll see what?"
"I'm not convinced letting you keep that armour is in the best interests of the country, Iron Man. I haven't made up my mind."
Just in case you've been holidaying on the moon these last five years, the three core Avengers - Thor, Iron Man and Captain America - have issues with each other. Or at least Thor and Steve Rogers have issues with Iron Man, and have had ever since CIVIL WAR. Then Tony Stark took the government's position on the Superhuman Registration Act and endorsed the construction of a cyborg clone from Thor's cell tissues. It killed one of their friends. Then he had Steve Rogers locked up for good measure.
Anyway, the destruction of Asgard in SIEGE comes with additional hazards like the Rainbow Bridge, a portal to other dimensions, being broken. But before they can contain the gateway, the gateway contains them, sucking them through to three different, otherworldly locations, none of them particularly hospitable. Stark is deprived of his armour and runs around naked, desperately trying to hide his genitals with rejoinders (he has a sympathetic letterer) and trying to wise-crack his way back into his old friends' hearts.
"Boy, am I glad to see you, Steve. I take back almost everything I have ever said."
"Why are you naked?"
"It's the new armour. It's see-through."
"It's very high-tech."
He even finds time to mix up his Shakespeare, holding his helmet in his hand and paraphrasing Richard III.
A very old Avengers villain reappears in a radically different role, there are dragons, elves and ogres which for once don't rankle with me at all, a romance snatched away at the last minute for Steve, and the most enormous art from the softest of artists, Alan Davis. What's not to love?