Page 45 Review by Stephen
Brother Marcellus to his sister Elena about their father, Lord Crowe, from astride his snorting steed:
"Have you asked him about your trip yet?"
"I'm putting it off so I can pretend he might say yes."
"I've been to Menkha a dozen times. I don't see why you can't."
"He might let you come along with me in the spring. I'll bring it up when I get back."
Marcellus charges out into the sunlit desert beyond the thick-stoned keep.
"Close the gates."
Conceived by the creator of BEAST, it's no surprise that this too deals in part with the dismissal of women in a patriarchal society. Here we have one that's feudal, and the fact that Elena springs from nobility empowers her not one jot, her father seeing no more in her future than a strategically advantageous marriage. After reading the opening chapter, you might wonder if the House of Karsgate has much of a future.
Its Volan neighbours are encroaching increasingly on Karsgate territory, the goblin race which holds the balance of power appears to be reneging on their treaty, while the keep itself will be infiltrated tonight by an intrepid thief Tova; and although she thought she'd be alone in that, she won't be. Something else has been set free by a summoning which takes place well beyond those walls.
Born of fire and a frenzy of hands under a low red moon, it is both ethereal yet as weighty as the words which have bound it, and "the rune that breaks the steel of men". It is luminous in blue and purple and is given a ceremonial knife...
Claire Gibson's script is indeed well weighted and nothing whatsoever is extraneous.
"Every decision you make must have your full attention, no matter how small," cautions Marcellus' father, Lord Crowe. The same could be said of every word Gibson's written, and Lord Crowe would do to heed them himself, for throughout this book he will fail to appreciate that he has a daughter at all. This will lead him to make fatal mistakes, just as he made a fateful one through pride and arrogance a long time ago.
As Elena attempts to confront her father on her lack of opportunity to learn through travel, birds flap about the sky, not coincidentally, mostly off-panel. There's quite a lot of Paul Pope in Leong's faces, while her warm, glowing colours are rich and redolent of the East. A lot of attention has been given from the get-go by Marian herself to the various classes' costume designs reprinted in the back along with landscape double-page spreads by MULTIPLE WARHEADS' and KING CITY' Brandon Graham, while you've a map you help navigate by at the front.
Plenty more politics to come - gender, domestic and state - including pragmatic but empowering words of advice from Elena's aunt, Lady Ure, and a Council which may not be sending the help Lord Crowe thinks he's received to negotiate with the goblin Mausgol.