Page 45 Review by Stephen
For which you will need Bendis & Yu's SECRET INVASION, which is where Bendis' NEW AVENGERS has been heading since its very beginning. I'm not kidding: as will be revealed here, a very long game has been played by both the creator and so the characters. This is it come to fruition, then almost immediately moved firmly on.
That cat can't help leaping right out of the bag now, clawing and scratching away, so if you want to read the best-ever AVENGERS series outside of ULTIMATES Season One and Season Two, with knock-out comedy dialogue, but you don't what the surprises spoiled for you here, please click on NEW AVENGERS VOL 1 for that review instead, and walk away now!
I wrote: "NOW!"
I've heard from one quarter at least that all SECRET INVASION was to them was one massive fight. Actually it was several, but point taken. The thing is, it isn't self-contained. Not only was it the climax to several hundred pages of sneaking about, whispering, mutual suspicion and second-guessing about the shape-shifting Skrulls' infiltration of planet Earth, but the flesh of it - the emotional core - lies here.
Its flashback revelations are stunningly clever with gorgeous art from Jimmy Cheung for the episodes revisiting the Illuminati's covert counter-strike against the shape-shifting Skrulls all those years ago (see NEW AVENGERS VOL 3) and you finally learn exactly what the Skrulls have done since with all that genetic lost property.
Then, appropriately enough, its ALIAS' Michael Gaydos who provides exceptional acting for the argument between lovers Luke Cage and Jessica Jones - first on the telephone and then face to face in front of Avengers Tower, home of the opposing MIGHTY AVENGERS who want this underground team locked up - about the custody of their baby after its recent near-murder.
Luke insists that Jessica has sold out, citing principles, honour and standing up for what's right; Jessica's sole contention is that as parents they must put the child's safety first. Its truth and simplicity seem incontrovertible, even to a non-parent like me. Furthermore, Jessica maintains that, under their virtually unique circumstances, Avengers Tower is the only place where their baby is safe.
But S.H.I.E.L.D. has been played. Hydra has been played. The Avengers have been played. All by a single Skrull disguised as one of their own. Who, where, when and how? You've seen it all before, just not from this perspective.
Learn precisely how the Skrulls gained the inspired element they'd need to escape detection so long as they remain in human form and for what psychological reasons they carefully selected which individual super-humans to replace with their own infiltrating agents many moons ago! Watch it dawn on the Skrull Empress that her personal sacrifice and long-term strategy lay in tatters when several years ago The Scarlet Witch turned the world upside down during HOUSE OF M! Wince as The Scarlet Witch subsequently hands them their invasion on a "No More Mutants" platter!
Then weep as Jessica Jones' words about the safety of her baby come back to haunt her.
The second half of this whopping repackage deals with the fall-out to SECRET INVASION whose repercussions are substantial: the last person in the Marvel Universe you'd want to be given the keys to the door has been given the keys to the door.
Clint Barton, the only current long-term member of the Avengers (as Hawkeye then Goliath now Ronin) is horrified to discover [REDACTED] marketing himself and his fellow convicted criminals to the public on television as the new official team. There's a great scene in which they try to figure out who each shady figure is underneath their new masks, and once again Hawkeye is not best pleased to find himself represented by [REDACTED].
And you know our HAWKEYE, right? "Act in haste, repent at leisure" were words specifically written about him. Every idea he has is a bad idea.
What follows is a game of super-powered chess as each side tries to out-manoeuvre the other with several layers of misdirection, bluff and countermeasures, resulting for now in a stalemate with one notable exception.
My only qualm amongst so much excellence lies in the 'Dark Reign' chapter masterfully illustrated by Alex Maleev in which Bendis' dialogue for Emma Frost sounds lazily like his own Jessica Jones rather than Grant Morrison's, Joss Whedon's and Warren Ellis' louche, sybaritic Emma Frost well established by the trio of writers in NEW X-MEN then ASTONISHING X-MEN.
Still, every other element here will give you a great big grin.