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Palookaville #23

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Palookaville #23 back



Page 45 Review by Jonathan

"Generally, each home was a little worse...
"... than the previous place we lived.
"But Louise Street was the worst yet."

It wasn't, however, the worst... We do get to that particular abode on a trailer park eventually, though, in this latest instalment of Seth's rather heart-rending recollection of his formative years. Not that these reminiscences are without humour, not at all. Ever the master of self-deprecation, he also had me spluttering my tea out when I got to the following bit...

"By then, I was deeply into my "New Wave Guru" phase. A mess of clothing and dyed white hair."

Now, trust me, if you're picturing Seth in typical emo goth mode with wild locks and ragged apparel, you would be wrong. Ever a man of style and decorum he's got the most amazing swept-back bouffant and shoulder length combo hairstyle paired with smart white shirt, black trousers with checked bottoms, a long black Victorian style raincoat, black shades, walking cane and the ever-present cigarette dangling from his lips.

Well, actually, as he embarrassedly admits, he was rather lacking in decorum in this particular instance he illustrates, as he finally <ahem> reaches fourth base after randomly bumping into one of his childhood sweethearts several years later and promptly getting up and leaving without a word after dealing with their "unfinished business." What a rotter! I hope she posts a proper photograph of this era Seth on social media if she has one, by way of revenge!!

As ever, this PALOOKAVILLE is a work of three parts: a slice of autobiography and a slice of Clyde Fans, neatly sandwiching some deliciously random filing, which this time round is a selection of individual pieces of art, mainly featuring period buildings, in his own inimitable, dapper style, which featured in two different recent gallery exhibitions.

I should add that for CLYDE FANS fans (sorry, couldn't resist), this PALOOKAVILLE will be a sad, if fulfilling, moment as the epic story of Simon Matchcard draws to a conclusion by coming full circle back to the year 1957 where we left Simon at the end of the first CLYDE FANS volume. Here we see the epiphany which sets him on the course of what will turn out to be his long, lonely life. It's a rather poignant scene, knowing as we do everything that is to follow. For here, Simon is nothing but full of optimism of what lies ahead, certain of the path he is taking and the rewards it will bring.

Eh dear.