Page 45 Review by Stephen
I love that the deluxe hardcovers' covers focus, close-up, on young Hazel's development.
She is, after all, SAGA's narrator, filling the series with foreshadowing, the wisdom of experience, and the insight of hindsight. What don't know yet is how long she has had to acquire her worldview, for we have no idea at what age Hazel is telling her story.
It's essentially a comedy about love - of relationships, parents and children - and a discourse on the atrocities of war in which no one is safe. That its setting is science fantasy gives Vaughan and Staples the opportunity to fill it with the wonders of diversity, which they've both taken full advantage of, as well as its attendant bigotry. Hazel is having to hide her biological nature, for she's a miraculous child born of two distinctive species which are at war. One has wings, the other has horns; Hazel has both.
Not only have they been at war for as long as anyone can remember, but for so very long that no one has so far recalled a moment when they were once at peace. Hazel's not the only one within who has decided to hide a truth, but she is the only one privy to that secret.
It's a deliciously inclusive series, is what I'm saying, and prospective newcomers are heartily encouraged to read my overview of SAGA DELUXE EDITION VOL 1 H/C even if you end up buying one of the seven softcovers so far. That contains the first; this contains 4 to 6 so please click on those SAGA covers if you want to read those reviews because conjoining them - as I did for Brubaker, Epting and Breitweiser's VELVET h/c or Brubaker, Phillips and Breitweiser's THE FADE OUT - is far more work than you'd imagine, involving a great deal of cutting and splicing, and the occasional bloody finger.
The deluxe hardcovers come with extras, this time in the form of brand-new guest art from Jen Bartel, Bengal, Cliff Chiang, Pia Guerra, Faith Erin Hicks, Karl Kerschl, Jason Latour, Marcos Martin, Todd McFarlane, Sean Murphy, Steve Skroce and Chip Zdarsky.
Each of these pieces is accompanied by an introduction by Brian, then a Q&A in the same spirit as the periodical's annual readership survey, while the extras themselves are introduced by a page of musings and an illustration by Pia Guerra which reminds me to warn you that there is in each volume One Of Those Moments which will leave you exceptionally relieved that you never leant this book to your grandma or grandpa. One of those here involves a dragon in an act which you will never, ever forget.