Page 45 Review by Jonathan
"We are at the dawn of accomplishing great things."
"To save the planet from humankind."
"To save what deserves to be saved."
"How to you plan to save those who aren't directly responsible for the world's disasters?"
"We don't. No, we must go further. Much, much further.
"For too long, humankind have behaved as though they have the right to do what they want to Earth.
"Her other occupants, animals and plantlife, are at humanity's service, or rather at their mercy.
"All humankind are complicit.
"They are guilty.
"And, as such, they must be condemned."
How indeed?! I should probably explain that is a direct action ecological activists group called Wrath getting a lecture on taking their tactics to the next level from the fairly clearly named Apocalypsters.
I wonder what they could possibly want
I nearly didn't read this first volume of the prequel to the bleakly brilliant three part post-apocalyptic choo-choo carryon that was SNOWPIERCER VOL 1: THE ESCAPE / SNOWPIERCER VOL 2: THE EXPLORERS / SNOWPIERCER VOL 3: MUM, ARE WE THERE YET?, I mean, SNOWPIERCER VOL 3: TERMINUS. I guess I just felt that the story was completed for me, and I really do get frustrated with prequels sometimes, because inevitably, we readers know exactly where the story has to go to get to the starting point.
But I punched my ticket to ride and boy am I glad I did because this is a runaway journey to destination disaster all in its own right.
Yes, we will see the construction of the Noah's Ark-like Snowpiercer train and its philanthropist multibillionaire creator Mr Zheng who had already foreseen the collapse of civilisation through ecological disaster, but really, this story is all about how the timetable for departure suddenly gets brought forward thanks to the deluded doomsday-inducing dedication of a few (needing to be) committed zealots.
Series artist Jean-Marc Rochette returns with his fourth different writer, Matz. That's a deliberate conceit by the way, not Rochette being difficult to work with. Actually, the fact it was penned by Matz (responsible for the utterly mesmerising confessions and adventures of a hitman with a conscience, of sorts, that is THE COMPLETE KILLER) is the reason I opened this up. I then kept reading because Rochette's use of an altogether less bleak colour palette than the understandably wintery blue and black he deployed for the original trilogy gripped me immediately.
Thus, this is definitely its own story, which whilst it will appeal to fans of the previous permafrost perambulation trilogy, will also have much cachet with fans of the likes of Bryan Wood's THE MASSIVE and other eco-disaster deterrent diatribes.
Interestingly I note there is a TV show sequel to the film (loosely based on the first book) planned for next year. No idea whether that will incorporate material from books two and three, but hopefully it will pinch some of the ideas from this work and the presumably other one or two volumes to come for back story.