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Moon Face h/c


Moon Face h/c Moon Face h/c

Moon Face h/c back

Alejandro Jodorowsky & Francois Boucq

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Page 45 Review by Jonathan

"We must reach the Palace Of Pleasures before the doors close!"
"You two go in! I'll try and stop the Carnival Of Fools before they're all massacred."

Cut off from the world and ruled without any dissent whatsoever by the mad dictator Oscar Lazo, absolute head of a quasi-religious order known as the Kondukators and their madcap Ovarian system (whatever that is), complete with his troublesome, aggravating comedy haemorrhoids, the island Damanuestra is about to undergo a tumultuous time under the surging surf courtesy of the mysterious 'wave tamer' Moon Face. The established, and ferociously guarded socio-political order is about to be well and truly dunked and disrupted by the arrival of this catalyst of change who will silently foment revolution with some serious white caps that make the Great Wave off Kanagawa look like end of the pier ripples...

This work is classic Jodorowsky, setting up a world under the influence of an all-controlling, all-perverse, all-most-definitely-unpleasant-and-odious-power and promptly setting about bringing it all crashing down. Originally released in 3 or 5 volumes in French, depending on how you look at it (trust me, it had a bit of an odd publication history...) we are fortunate to get the whole lunar body in this one translated collection.

Another major plus is the incredible artwork. Reunited with his sidekick from his BOUNCER saga, Francois Boucq, you can feel the immense power of Moon Face's waves and their equally impactful influence on the regime, and by extension, Lazo's bumhole raisins! Surreal, satirical, utterly preposterous and equally ridiculous, this is an extremely amusing examination of the desperate lengths people will go to hold onto power even when the proverbial tide is turning against them faster than King Canute. So surely it's no surprise to see what looks like a young Margaret Thatcher depicted as one of the authoritarian figures! I suspect there may well be a few European politicians of that era and religious figures getting lampooned in there too.

If I had one criticism to make, it would be the same one I level at what is probably my favourite work of Jodorowsky's (after THE INCAL which stands alone in its near perfection), which is MADWOMAN OF THE SACRED HEART, in that the concluding part is the weakest in terms of the story-telling. Not by much, but it does feel slightly like Jodorowsky's managed to get his characters and by extension himself so magnificently metaphysically tangled up that he's concentrating on writing a clever way out rather than being as seemingly spontaneously entertaining as the opening two-thirds is. Which is clearly written with relish and gradually just lets the chaos build and build in a gloriously discordant manner. I guess it's always harder to rein it all back in than just let it go. It is a most satisfying conclusion however.

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